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Piel expuesta, piel situada afuera. (2013)

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Ngolo | | 3 mphindi | ,

Neither the skin nor the filmic material is exempt from the temporal becoming and its consequent growing degradation. Both have such a fragile sensitivity that their potential for intervention seems to be infinitely finite, yet a common point seems to open a gulf between them: memory. However, one point in common seems to open an abyss between them: memory. How does dermatological memory operate? The photographic archive sends us back to vital mummification. Virtual skin and digital body exchange mails.

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Tulutsani: Jun 18, 2013

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