Ko ta maatau whare pikitia me to wharepukapuka whakaataata ka taea noa te rere, te tango mai ranei ma nga mema anake
Me matakitaki tonu mo te FREE ➞He iti ake te waa 1 meneti ki te Haina Mai ka pai ai ki a koe te koa ki nga Kiriata Mutunga & Taitara TV.
Paris Cinéma (1929)
The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "
Momo: Documentary
Maka: Carmen Boni, Augusto Genina, Władysław Starewicz, Pierre Chenal, Alberto Cavalcanti, Alain Saint-Ogan
Kaimahi: Pierre Chenal (Editor), Charles Lemaire (Director of Photography), Jean Mitry (Director), Jean Goreaud (Director of Photography), Pierre Chenal (Director), Robert Legeret (Director of Photography)
Subtitle: ETC.
Tuku: Oct 21, 1929
Rongonui: 0.056
Reo:
Studio:
Whenua: France