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Kopalnia (1947)
A film dedicated to miners, showing the hardship and risk of working in a mine. Devoid of verbal commentary, it draws its impact from the form: suggestive cinematography close to the pre-war avant-garde, dynamic editing closely linked to music. Brzozowska was accused of formalism at the 1949 Congress of Filmmakers in Wisła, where socialist realism was proclaimed.
Momo: Documentary
Maka:
Kaimahi: Andrzej Ancuta (Director of Photography), Kazimierz Serocki (Music), Natalia Brzozowska (Writer), Natalia Brzozowska (Director)
Subtitle: ETC.