Ko ta maatau whare pikitia me to wharepukapuka whakaataata ka taea noa te rere, te tango mai ranei ma nga mema anake
Me matakitaki tonu mo te FREE ➞He iti ake te waa 1 meneti ki te Haina Mai ka pai ai ki a koe te koa ki nga Kiriata Mutunga & Taitara TV.
Far from Poland (1984)
FAR FROM POLAND is probably the first American non-fiction film (Godmilow calls it a "drama-tary") to explode cinema verite's mythic claim to be the only trustworthy mode of representation for discussing the real world, and in particular, social and political issues, on film. Refused a visa to travel to Poland, "Jillski" (her Polish nickname in the film) has to literally re-invent the documentary to deal with the Polish situation and she does so with a particular eye to deconstructing not only documentary's specific claims to objectivity, but also the bourgeois audience's desire to sit comfortably in their seats, feel compassion, feel themselves part of the solution (not part of the problem) by having felt compassion for the poor oppressed Poles, who, Godmilow would argue, are far more acutely aware of their situation and what forces oppress them than the liberal American folk in the movie house.
Momo:
Maka: Ruth Maleczech, Mark Margolis, Olek Krupa
Kaimahi: Jill Godmilow (Director)
Subtitle: ETC.
Tuku: Mar 10, 1984
Rongonui: 2.853
Reo:
Studio:
Whenua: