Za'a iya watsa shirye-shiryen fim da bidiyon mu ta hanyar membobin kawai
Ci gaba da kallon KYAUTA ➞Yana lessan kasa da haka minti 1 don Shiga sannan zaku iya jin daɗin Unlimited Fina-finai & taken TV.
Onora la Madre (2017)
“Onora la Madre” focuses on the role that women played in the 'Ndrangheta, because their presence in Mafia contexts has always been underestimated whereas today has slowly surfaced again. The short explores the manifold and contradictory 'Ndrangheta female universe in Calabria. It explains - starting from reports, documents, traditions, rituals, testimonies, words and judicial documents, the 'Ndrangheta telling the stories and the figures of women that inevitably settle and serve calabrian clans. Everything starts with a quite enlightening syllogism: family is the core element of the 'Ndrangheta, woman is the core element of the family, woman is the core element of the 'Ndrangheta. Analyzing the real universe of the 'Ndrangheta’s mechanisms we realize the real role of women, often extremely important even if destined never to be formally recognized by the organization.
Salo: Drama
'Yan wasa: Anna Macrì, Angelica Artemisia Pedatella, Luana Montesano, Raffaella Aloisia Denzler, Nunzio Santoro, Raffaele Carbone
Ƙungiya: Giovanni Carpanzano (Director), Angelica Artemisia Pedatella (Writer), Gemma Carpanzano (Makeup Artist), Vanessa Tudisco (Makeup Artist), Paolo Paparella (Director of Photography), Marco Cimino (Editor)
Subtitle: ETC.
Saki: Jan 30, 2017
Farin jini: 0.371
Harshe: Italiano
Studio: Officina Teatrale, Accademia di Belle Arti di Catanzaro, Camera di Commercio di Catanzaro
Kasa: Italy