伴我闯天涯 (1982)
特立独行恶搞佐罗(现实生活中的涂鸦艺术家李醌)的盘剥遵循野性的风格,他的作品吸引了东村艺术爱好者谁佣金他画的舞台巨人说唱的公约的关注。在纽约的行政区嘻哈的初期的文件,一切都在狂野风格是正宗的(故事,风格,人物和多数演员),从社区绘制。它具有老派的先驱,包括棋手一刹那,忙碌的蜜蜂,冷挤压兄弟多的万神殿。
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