Ko ta maatau whare pikitia me to wharepukapuka whakaataata ka taea noa te rere, te tango mai ranei ma nga mema anake
Me matakitaki tonu mo te FREE ➞He iti ake te waa 1 meneti ki te Haina Mai ka pai ai ki a koe te koa ki nga Kiriata Mutunga & Taitara TV.
Сумасшедший принц: Японец (1988)
The basis for the making of this film was a TV show to which many figures of the «youth culture» were invited. Boris Yukhananov turned this into a video project. This plot recurs twice in the film, forming a compositional counterbalance, at the beginning in the guise of a black-and-white television set, and at the end by means of the video action itself. Throughout the entire film we follow a Japanese man who is a kind of medium, a superhero, a bloated ghost of life after death, thus emphasizing the speculative spirit of the huge interest then being paid to «youth culture.» His adventures begin at a lecture podium that is replaced by an autopsy table in a morgue, and they gradually move on to an endless ritual dance with death in its various forms.