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Αυτο που ζηταμε απο ενα αγαλμα ειναι να μην κινειται (2024)

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Ihe nhụchalụ | | 31 Nkeji |

Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?